FilterMatchTypeInput

About us

Our team

Contact us

Newsletter

General terms

# Imprint and legal information
### Provider identification
ProMusicTools
Sudetendeutschestr. 8a
80937 Munich
Germany

Owner: Alexej Falinski

VAT-ID DE 233411269

Tel +49 89 54784657
info@promusictools.com

### General terms and conditions (GTC)
Our General terms and conditions can be found here.

### Notes on data protection
Of course, we treat your data confidentially. You can find more information about data protection in our Privacy policy.

### Notes on links contained on this website
Although the contents of this website have been put together with utmost care, we assume no liability for the content of external links. The contents of linked websites are at the sole responsibility of their operators.

### Notes on trademarks
All trademarks are property of their respective owners and are usually not explicitly indicated as such on this website. The absence of such indication does not imply that the name in question is a free name as defined and regulated by trademark and labelling legislation.

### Out-of-court dispute resolution
The EU Commission has created an online platform for dispute resolution ("ODR platform") available at: http://ec.europa.eu/odr. If the customer is a consumer living in the European Union, this platform can be used to resolve disputes regarding contractual obligations from online contracts out of court. We are obligated to inform you of the existence of this ODR platform and in this context also of our email address support@promusictools.com.

We endeavour to solve any differences of opinion concerning contracts concluded with our customers amicably via our customer services. Furthermore, we are not obliged to participate in a dispute settlement proceeding in front of a consumer arbitration board, nor are we prepared to do so on principle.

### Copyright
© ProMusicTools. All rights reserved. The content of this website is protected by copyright. All rights are reserved by ProMusicTools or their suppliers, manufacturers and other similar contrahents. Any use of the contents of this website outside the boundaries of copyright law, without the express permission of ProMusicTools is prohibited.

Imprint

Privacy policy

Right of withdrawal

Shipping Costs

30-Day Money-Back Guarantee

**Store** 
Sudetendeutschestr. 8a 
80937 Munich, Germany
 
Business hours: Mo-Fr 10-19, Sa 10-18
 
Hotline: +49 89 54784657 
Email: info@promusictools.com

Store location

Facebook

Instagram

YouTube

The SPL 2Control is an excellent sounding compact monitor controller. It combines loudspeaker and headphone monitoring in a compact, user-friendly and high quality control device. Control near-field and full-range monitors as well as headphone monitoring for two listeners in one central device.

SPL 2Control

SPL Cabulator is a Cabinet Simulator with Power Soak and D.I.

SPL Transducer - Analog Microphone & Speaker Simulator

The SPL Channel One comes with all tools onboard for recording vocals and instruments in the highest sound quality. Each stage contributes to the concept as the ideal recording front-end for world-class sounds the easy way: intelligent automation ensures both intuitive and fast as well as musical operation for the finest recording results.


SPL Channel One

The Crescendo is the first microphone preamplifier which operates with an internal operating voltage of 120V. Making it absolutely unique, because with the 120V Technology it is nearly impossible to overdrive this preamplifier. The Crescendo excels with absolute signal fidelity and clarity. Rediscover your microphones, they have never been amplified like this.

SPL Crescendo

SPL Crimson 3 - White. Audio Interface with Analog Monitoring, Phonitor Matrix and Talkback Microphone

SPL Crimson 3 - White

The SPL Auto-Dynamic De-Esser uses a unique technology to reduce sibiliance in a mix or on vocal tracks. The result is a neutral, unobtrusive and extremely effective de-essing process. Even at high S-reduction values the de-essing has a negligible effect on the character and timbre of the voice. It monitors the S-frequency spectrum and automatically detects the sibilant frequencies. The de-ess bandwidth is set so narrowly around the range of the sibilance that neighbouring frequencies remain unaffected. The detected sibiliance is mixed back into the main signal phase-inverted so that only the S-sounds are cancelled. The S-reduction control sets the intensity of the S-reduction.

SPL De-Esser

The new DMC stereo mastering console is engineered from the ground-up making it not only more flexible with better specs than SPL’s previous console, but also more ergonomic and sized to fit in all types of studio furniture. The 3RU console has 4 stereo inputs and 4 stereo sources, with 2 stereo recording outputs, as well as 3 stereo and 2 mono speaker outputs that can be expanded with the new MC16 controller. It operates on the same unequaled 120V DC audio rail like each of the other SPL Mastering Series processors.

SPL DMC - Black

SPL DMC - Red

The SPL Frontliner has all tools on board to record vocals and instruments in perfect quality: it merges a preamp, a de-esser, an EQ, a compressor and tube saturation. Thanks to it's individual analog I/Os, all these powerful, hi-end analog processors can be use not only while recording but also during mixing. Frontliner is therefore not reduced to a front-end device. Especially DAW based studios can integrate high-grade analog processing at any stage of the audio production process.

SPL Frontliner

The SPL GainStation 1 is the premium recording front end, ensuring that any microphone and instrument signal is pre-amplified with the highest quality. The quality of your recordings has a major influence on the subsequent mixing process – good recordings require less processing in later stages. Improved transparence and understandability can be achieved with less equalization and compression if the signals are recorded optimally, often allowing individual signals to be mixed at lower levels without compromising their presence.

SPL GainStation 1

The SPL GainStation 8 Mk2 is the premium recording front end, ensuring that any microphone and instrument signal is pre-amplified with the highest quality. The quality of your recordings has a major influence on the subsequent mixing process – good recordings require less processing in later stages. Improved transparence and understandability can be achieved with less equalization and compression if the signals are recorded optimally, often allowing individual signals to be mixed at lower levels without compromising their presence.

SPL GainStation 8 Mk2

The SPL Gemini is the first M/S Mastering Processor in 120V technology. With Gemini, M/S processing enters the SPL Mastering series. Gemini is an M/S Encoder and Decoder. Mid signals (voice, snare, bass …) can clearly be seperated from side signals (guitar, spatial sounds, cymbals …) and can individually be processed. When working on the sum signal, M/S coding often is the best way to specifically get access to individual elements within a mix. 

SPL Gemini - All Black

SPL Gemini - Black

SPL Gemini - Red

The SPL GoldMike Mk2 combines Class-A transistor with a tube preamplifier. The transistor stage is composed of single transistors in a Class A design and works in series with a tube preamplification stage that provides 6dB to 18dB of tube gain for subtle to more obvious saturation effects.

SPL GoldMike Mk 2

The SPL Hermes revolutionizes Mastering. Now it is possible to route an audio signal through up to eight dual-channel processors in any order. User definable presets allow the comparison of complex processing chains with just a flip of a button. In addition, Hermes has two integrated parallel mix stages that work with any of the eight processors allowing for comparison of two compressors with different parallel mix settings. The parallel mix stages are stored with the processing chains.

SPL Hermes - All Black

SPL Hermes - Black

SPL Hermes - Red

The SPL IRON mastering compressor is not a copy of a classic unit, but rather an original concept in itself. SPLs goal was to conceive a compressor that provided a pleasant, melodic-sounding, transparent compression, inspired on the vintage compressors of the radio era. And they wanted it to be versatile enough to adapt perfectly to the needs of modern mastering studios.

SPL IRON - Black

SPL IRON - Red

The SPL Kultube is a stereo compressor with three specialties: Compression is done by a custom-made discrete Class A gain cell instead of industrial VCAs, the unique Progressive Time Control (PTC) automatically optimizes Attack & Release and an adjustable tube saturation.

SPL Kultube

The SPL Madison offers 16 analog input and 16 analog output channels of the highest sound quality. Madison combines state of the art signal conversion with highly reliable clock and MADI processing. And as a true SPL unit it is simple to operate, easy to expand and, of course, an awesome sounding conversion system.

SPL Madison

The SPL MasterBay S can manage up to four stereo processors comfortably and its fascinating possibilities allow you to get the best results out of your equipment.

SPL MasterBay S

Today’s mastering studio must be prepared for Dolby Atmos® and Auro 3D® projects. Monitoring up to 16 channels in a quality that is on par with state-of-the-art stereo was hard to achieve – until now.
The new MC16 sports the world’s first 16-gang precision potentiometer which was specially designed for SPL.

SPL MC16 - Black

SPL MC16 - Red

Headquartered in Niederkrüchten, Germany, Sound Performance Lab (SPL) is known for its innovative products, including various audio interfaces, amplifiers, software plug-ins and amp simulations. They do not just equip musicians, but also film studios, hi-fi enthusiasts and radio stations. With more than 30 years of history, SPL has made a name for itself across all industries and has also won the hearts of many studio and hobby musicians with its series such as Transducer, Cabulator and Crimson.

SPL

Studio e Registrazione

Interfacce Audio

Processori di Segnali ed Effetti

Monitors Studio

Accessori Studio

Studio- / Monitor-Controllers

Monitor Controllers

Preamps

Effetti e Processori Segnali

SPL 2Control

In stock

SPL Transducer - Analog Microphone & Speaker Simulator

Sold out

SPL Channel One

Available by special order only

SPL Crescendo

Available by special order only

SPL Crimson 3 - White

Available by special order only

SPL De-Esser

Available by special order only

SPL DMC - Black

Available by special order only

SPL DMC - Red

Available by special order only

Hot Deals

Discover more

SPL

Studio e Registrazione

Interfacce Audio

Processori di Segnali ed Effetti

Monitors Studio

Accessori Studio

Studio- / Monitor-Controllers

Monitor Controllers

Preamps

Effetti e Processori Segnali

.css-ubq6hf{font-variation-settings:'wght' 610;font-weight:610;}SPL 2Control

In stock

SPL Transducer - Analog Microphone & Speaker Simulator

Sold out

SPL Channel One

Available by special order only

SPL Crescendo

Available by special order only

SPL Crimson 3 - White

Available by special order only

SPL De-Esser

Available by special order only

SPL DMC - Black

Available by special order only

SPL DMC - Red

Available by special order only

Hot Deals

Discover more

SPL 2Control